Showing posts with label diaries. Show all posts
Showing posts with label diaries. Show all posts

Wednesday, November 04, 2015

As Luck Would Have It: How I Became Me and Not Her

     

     For someone who said she'd never marry nor have children, motherhood and marriage are recurrent themes in my writing. I remain married and have two sons and no one is more surprised than a few friends from my disco days. You read that right.
     
     Motherhood and family play strongly in The Sandoval Sisters' Secret of Old Blood. Even though only one sister bears a child in the story, family and the legacy left to future generations is important to the sisters. As it is to me.  The Sandoval sisters look back at preserved memories in the ancestral diaries in order to make sense of their present.  Nothing like that was left for me; I create my present from my interpretation of the past. 

     After my parents' divorce, I lost my mother to 10-hour waitress shifts, six nights per week. I became the de facto “second mother” to my younger brother, even though I was only eight. My mom said I was smart, which is why I was blamed when my brother was hit by a speeding car when I was ten and he was three-years-old.

     It’s true that I told him to cross the street. I remember the car being way down the block. I turned away because someone behind was calling me. The next thing I remember is the screech of tires.

     That accident changed all our lives. My brother was hospitalized for several months and my mother began to breastfeed him when she visited. She also arranged for me to go to work with her at Claude’s, the new jazz hotspot on Canyon Road in Santa Fe, where she worked a 5:00 p.m. to 3:00 a.m. shift. Claude’s was a step-up in Mom’s waitressing work. It was 1959 and she was paid only $15 per week (6 nights), but on a good night she could make $25-$75 in tips. Besides the jazz, Claude had live lobster flown in daily. They arrived in wooden crates packed with ice. There were no rubber bands around their claws and they defended themselves by grabbing the tongs with which I poked them.


     I had to stay in the kitchen and out of the way, but other than the lobsters, my entertainment was Claude’s beatnik girlfriend, replete with long, dark hair that fell in a straight line to her shoulders, bangs and big glasses, straight skirts and a turtle neck sweater. And flats. No one wore athletic shoes in those days. Women either wore heels, or they wore loafers like Claude. Did I mention that Claude was a woman? A crop-haired lesbian of the men’s shirt and khaki variety. But her girlfriends were feminine, pretty . . . and smart. They toted slim volumes of poetry and were kind to me.

     
On slow nights, I got to sit on a chair outside the kitchen and listen to the music and people watch. I learned quickly not to compliment the women. “A tightwad,” Mom would say, “women are the worst tippers,” or, I might get, “She’s cheating on her husband with the saxophone player.” This person was a classmate’s mom. Worse was when she told me that an attractive man at the bar was not only married, but had a male lover. There was no room for crippling romance in my mom's life.

     Yes, my childhood education was nontraditional, so please forgive my eccentricities.


    Three major events occurred which changed my life and which were somewhat maternal. At least that’s how I choose to view them. Claude and her beatnik girlfriend came to our house one day with a gift for me: a subscription to National Geographic. While many people, celebrities and others, choose Santa Fe as their personal nirvana, I learned from that yellow-trimmed glossy that there were other destinations in the world and other ways of thinking. 

   


 Later, a good-looking young man, a "friend" of mom's, stopped at our home to drop off some LP’s: Gershwin, Ravel, Mozart. Mom played honky-tonk love songs; this music was new and complex. He was on his way to Spain to study flamenco. 

     I never told my mother about the bullying I endured in school, but even with her grueling schedule it became clear to her that I was scared to go to the local junior high. Mrs. Garcia lived three doors down from us and taught at a parochial school. She was stern and distant and kept her daughters in the house while I played baseball and hide-n-seek outside with her son. If I stayed too late at their house in the summer, I’d get trapped into having to kneel on the hardwood floors and say an entire rosary around the furnace grate with all nine of her kids. Somehow Mom worked it out with St. Anthony’s and Mrs. Garcia for me to attend 7th grade at a reduced tuition. I’d commute in with her in the morning. We never spoke. She didn’t smile.

     It was the best school year of my life in Santa Fe.

     American physicist, Joseph Henry:  The seeds of great discoveries are constantly floating around us, but they only take root in minds well prepared to receive them. 
                                                                              
      


Pino Daeni, Serendipity

     Writers ask "what if?" Of all the magazines one might choose to give a child, why did Claude and her lover give me a subscription to National Geographic? Why did the flamenco dancer give me those three albums? Mom was the only divorced woman on the block (which meant she couldn't receive communion)-did Mrs. Garcia hope Catholic school would save me from a disastrous future?  


      Who is the her mentioned in the title of this piece?  


      Serendipity prepared me for a different life. I've always thought that if I'd remained in Santa Fe, I would have died young. No future was tangible in my meager surroundings. My mother's youthful hopes and dreams had been squashed and she did nothing to foster any in me. With age and experience, I know now that it's possible I would have just stepped into my mother's shoes, maybe not as a waitress, but as some other hard-working female who never got to live her dreams. This would have been what my mom called "life" but for me it would have been death.                                                                                                 
                     

This blog also appears in Latino Voices at the Huffington Post

http://huff.to/1Pbat79

Wednesday, January 02, 2013

Top Ten Latino Books, 2012

     Fifteen years ago I sat in Aimee Bender's Introduction to Fiction class at UCLA and wrote the following two lines:  Human dreams had been written in archaic Spanish, and terrible sins described in faded brown ink on whisper-thin paper.  The entire spectrum of love was examined: practical jokes and puns, recipes for desperate wives and artistic poisoners, centuries of words put down for those who followed.
     I'd been listening to my mom's Sandoval stories while flat on my back with a bad case of sciatica, but I'd heard these tales my whole life: the Sandoval sisters were spinsters and reputedly also witches.  They'd adopted two Anglo brothers whose parents had died on the trail to Santa Fe. My mind focused on the witchcraft, which I liked, and less to my taste, the spinster aspect, which meant no sex.  Or did it?
     I took more classes, joined two writing groups, and wrote the book from the orphaned Anglo children's POV, making one of them a girl.  Poor Anglo babies were tagged as Sandovals:  Our Anglo last name disappeared and we became the Sandoval children on every legal document of that time, but we were not la gente.  We were the children of the Sandoval witches.
     My agent said I had the makings of two, possibly three books, on the Sandovals.  I rewrote the story, transforming all the flashbacks into the present.  The story focuses on the sisters, with only a bit of precognition announcing the future generation of Sandovals at the end of the book.
     The novel reflects Santa Fe's unique position in history:  it was the first foreign capital conquered by the U.S.  Thousands of Anglo soldiers entered the town, assuredly having an effect on the residents, especially the women, but not a word has been written from a female perspective.  Until now.
     It's not easy marketing a historical novel about Mexicans who were already here-in what would become the contiguous U.S.- published by a small press and written by an unknown writer.  The Mexican American War is the least written about subject in our history.  If I could have figured out how to work Abraham Lincoln into the plot, I would have had an easier time of it.  I preferred directing my talents, and imagination, to the sex I wanted the Sandoval Sisters to have.  Just kidding. Not really.

       So . . . I'm pleased to announce that I've been included in a top 10 list selected by The Latino Author.com.  The list includes a Pulitzer prize winner, a National Book award winner, NY Times bestsellers and writers of memoirs, romance, and short stories:  

Top Ten Best Books By Latino Authors In 2012
this-is-how-you-lose-her
1) This is How You Lose Her by Junot Díaz.

This is a selection of short stories depicting love, relationships, and heartbreak. Mr. Díaz uses his skill of writing to bring his characters to life.
a-wedding-in-haiti
2) A Wedding in Haiti by Julia Alvarez.

A memoir depicting the author’s relationship with a Haitian farmer named Piti. It captures things that are witnessed during her unusual relationship with this farmer as well as how her trips to this place impact and affect her.
have-you-seen-marie
3) Have You Seen Marie? by Sandra Cisneros.

This book captures the quest of a girl in search of her cat right after the death of her mother. The search creates an internal transformation of the character Sandy. The beautiful poetic writing brings the book to life.
the-distance-between-us
4) The Distrance Between Us by Reyna Grande.

A memoir depicting the author’s early years as she and her siblings are left behind with their grandparents in Mexico while the parents enter the United States illegally. It is a heartfelt story.

Sandoval_Sisters_Secret_of_Old_Blood
5) The Sandoval Sisters’ Secret of Old Blood by Sandra Ramos O’Briant.

A brilliantly told story of the Sandoval Sisters and their life journeys during the mid 1800s. The author excellently interweaves much history of the United States and Mexico during that time. The book is written with great skill and talent.
we-the-animals
6) We the Animals by Justin Torres.

As you read this book, you may think you are reading “The House on Mango Street” by Sandra Cisneros; although, this book is about a dysfunctional family whereas Ms. Cisneros’ book is not. The book is written with the same style and flavor and uses a vignette structure to tell the story. The author is quick witted and uses a very clever style of writing.
all-that-glitters
7) All That Glitters by Alisa Valdes-Rodriguez.

A powerful story bringing two unlikely characters together through which a bond and friendship is developed. In this friendship they find strength, love, and success.
killing-the-american-dream
8) Killing the American Dream: How Anti-Immigration Extremists are Destroying the Nation by Pilar Marerro.

This is a book that should be read by everyone interested in the immigration issues of the United States. The author skillfully and objectively captures the problems of immigration today omitting much of the political and technical jargon.
secret-saturdays
9) Secret Saturdays by Torrey Maldonado. 

This story captures the life of an inner city kid and gets into the minds and souls of how they think and feel. Although the story is fiction, it is so real.
looking-for-esperanza
10) Looking for Esperanza by Adriana Páramo.

This is an excellent book depicting the hidden world of undocumented female farmworkers and the struggles that they endure on a daily basis just to survive. This is a very powerful book.


http://www.thelatinoauthor.com/top/



Wednesday, December 05, 2012

Short reviews of The Sandoval Sisters' Secret of Old Blood



















Linda Quinn and I each had a story in Hit List: The Best of Latino Mystery.  She recently posted this review of The Sandoval Sisters' Secret of Old Blood:  

This is a fascinating family saga from the viewpoint of the sisters of the Sandoval family who live in New Mexico. The story is one of survival in a time in history when New Mexico is struggling for its independence, and the sisters are doing the same. Women at that time had nothing but marriage and raising children as an option in their lives, but these women go their own way and succeed while incorporating the past (curandismo and diaries of past Sandoval women) into their futures. A very GoodRead.

From Amazon:

Everything you could want from historical fiction - a largely unexplored part of Mexican/American history, the spectacular vistas of New Mexico, a well researched, finely tuned plot, a dynastic family with not one but three incredibly distinct, sensual, powerful female voices. Mystical like Garcia-Marquez, spanning centuries of family lore like Anne Rice's Mayfair Witches, this novel answers the question "What would life have been like for educated, intelligent, empowered women in the 1800s?". When the story ends, you miss the characters ... and you want to know what happens next to Oratoria, Alma and Pilar. CindyD 

What surprised me about this book, besides the feisty female characters and multi-generational saga, is that I realized I've never read a fictional account of the war that brought New Mexico into the United States and what it meant for the people who had lived in New Mexico before the Anglos arrived. The description of the arrival of the long line of stagecoaches after statehood was declared and the assumption of a superior culture was visually striking and thought provoking. Anyone who is curious about this under examined part of our history that is the Mexican-American War if 1844 to 1846 should pick this one up. Marianne Cotter

More short reviews Here

Artist Alfred Kubin did the piece posted above.