The title to the movie, Bless
Me, Ultima, carries the key to unlock its magic and riches, for blessings rain down on those who seek to
understand. Isn’t that the ultimate goal
of life on earth? Antonio’s older
brothers return from the war changed men.
Perhaps because his mother wants her youngest child to become a priest,
Antonio’s mind is filled with questions about the nature of man, and of good and
evil. It’s post-WWII in the United States,
and many Americans have these questions in their hearts. You’ll find all the
elements of a coming-of-age tale in this movie: violence and kindness,
expectations crushed, hope renewed, mysteries revealed, love and humor.
And then there’s Ultima.
She’s an elderly medicine woman, a curandera, who delivered young Antonio into the world and who has
now come to live with his family. The
movie doesn’t explore her past except to show that she is both revered and
feared. She shows Antonio how to see the
world in a new way, and she’s fearless in her wisdom. “If a person
wants to know he will listen and see and be patient,” Ultima says. “Knowledge comes slowly.”
This is the only movie of which I’m aware that shows a
female shaman guiding a young male in his perceptions. That alone sets it apart. The Tao Te Ching says, "A shaman has
mastered Nature; not in the sense of conquering it, but of becoming it." Her
gentleness, strength and knowledge is the same as Merlin’s in Sword in the
Stone or Miyagi in the Karate Kid, but we’re not in a fantasy medieval world or
in California. We’re in real post-war
New Mexico.
The setting is a part of America a few of us have been
fortunate enough to have visited, and where some of us (me) have been blessed
to grow up. The sweeping yellow vistas
of the llano (plains) where Ultima and Antonio go to collect herbs are gorgeous. One can almost feel the sun and smell the
wind that sweeps across the river.
Ultima is one with her world and the role she plays in it, and her
appreciation of nature is passed to Antonio. These are the peaceful moments,
but Antonio’s young life is rife with violence.
He sees two men killed and his friend drowned. Because of his innocence, he is a channel Ultima
uses to combat true evil. Then, she is accused of being a witch.
“You must find your own truth,” she tells Antonio. Folk beliefs occur in all cultures and all
parts of our country. For Antonio, the
battle is between staunch old-school Catholicism and the spiritual
connectedness with all on earth that he learns from Ultima. He understands that he must think for himself
without any disrespect for his heritage which emphasized tradition and
obedience. He loves Ultima, and has a profound respect for her.
Based on Rudolfo Anaya's award-winning and banned novel (in Az.) of the same name. The book was required reading for my sons in high school. Carl Franklin both directed and wrote the screenplay. The cast, led by Miriam Colon (Ultima) and newcomer Luke Ganalon (Antonio) take us on an unforgettable journey.
Take your friends and family to see this movie. The history, the family, the boy, and Ultima
will guide you home.
Witches, vampires, daemons . . . oh my! An athletic, somewhat obtuse, but yet brilliant protagonist buries and denies her own ancient powers; she's someone with whom any woman can identify. It's a romantic adventure thick with historical references and sketchy sexual innuendo. Secrets abound. Powerful forces are at work here and not just between the two lovers: one (the macho vamp) intent on rescuing the damsel in distress and the other (the witch) unwilling to submit. Repeatedly, she is advised to do so from evil, power hungry daemons, witches and her mother-in-law. The other threat is from a council of creatures intent on regulating relations between creatures, mainly of the copulatory kind, sort of like anti-miscegenation laws in the U.S. The writing is good, but not lyrical, and the repetition of gestures grew tiresome. I keep thinking of Ann Rice's Interview With the Vampire, which also captivated me during the holiday season many years ago. Her story was much darker, but it was also laden with unbidden desire and even love. The adventure in A Discovery of Witches is paramount; the romance between the main characters doesn't seem real, nor does their fear. That said, the rich historical, literary and alchemical references added a great deal of intellectual interest for me: I'm looking forward to the next book in the series.
Sandra Ramos O’Briant’s debut novel, The
Sandoval Sisters’ Secret of Old Blood, is a historical fiction novel set around
three sisters during the Mexican -American War in Santa
Fe, N.M.
“There’s all of this history behind {that war} and no one had written
how the influx of men {soldiers} affected the women in New Mexico,” she said. “There’s a
strong emphasis on sisterhood: the Sandoval sisters but also sisterhoods that
form whenever women get together -- nuns, prostitutes in a brothels, and the
women in the streets worried about their husbands, brothers, and sons thrown in
jail by Americans.”
Alma runs off to Texas with her young lover to escape an
arranged marriage with an older man. When she leaves, her younger sister Pilar
takes her place at the altar. The Mexican-American War begins and Santa Fe is
invaded. Oratoria, the eldest, was adopted into the family Sandoval at the age
of 5. The story is told from each of the sisters’ point of view as they
document events in diaries, as had been the practice of the Sandoval family for
hundreds of years.
The story also touches on superstition and includes an element
of witchcraft and voodoo. “When people don’t understand something or feel
oppressed or are losing their land, livelihood and loved ones, they turn and
pick a target,” she said.
Though this is O’Briant’s first novel, her short stories have
been featured in various anthologies and journals. O’Briant’s book launch was
on Oct. 7 at Vroman’s Bookstore in Pasadena. She calls and skypes into book
clubs across the country. For more information or to receive book discussion
questions, you can e-mail her at sandra@thesecretofoldblood.com.
". . . a delightful historical romp set in New Mexico . . . O'Briant fits into literary space occupied by Rudolfo Anaya's timeless Bless Me, Ultima" La Bloga
"Woven among the stories of love and life is eroticism, mystery, witchcraft, folktales, superstition, political intrigue, corruption, and violence." Dr. Michele Shaul, Co-Editor of the e-journal Label Me Latina/o