Showing posts with label diversity. Show all posts
Showing posts with label diversity. Show all posts
Tuesday, August 19, 2014
May in the Summer
Sometimes a journey “home” is an
encounter with oneself. May in the Summer (release August 22) tells the story
of a young, sophisticated woman who lives in New York and whose first novel was
a success. She’s engaged and travels home to visit her mother and plan her
wedding. While there she must deal with the usual travails of familial discontinuity,
a tale that has been told countless times. The difference here is that May’s
home is in Amman Jordan. Her mother is a Palestinian who married an American. May
and her sisters were raised in the U.S.
Wait,
there’s more. Her mother is a fundamentalist Christian and May’s fiancĂ© is
Muslim. Yikes! Amman is not Gaza, but you can see Palestine across the water from
a Western style beach resort as you float in the Dead Sea. Oh, and there are not
too many women in jogging shorts for the local men to ogle. Only one: May.
These dislocations serve as much needed reminders that even though May and her
sisters are pop culture savvy and are not just Westernized-they’re as American as
apple pie served at a NY deli. All of which adds up to an old story told
and set in a new world.
Diversity
is a word I embrace and May in the Summer displays all its nuances in an
engrossing and even affectionate manner. The script is good and the acting is
outstanding. May encounters more familial secrets which I won’t reveal here. It’s
a new twist on an old tale well worth viewing.
DIRECTOR(S): Cherien Dabis SCREENWRITER(S): Cherien Dabis CAST: Cherien Dabis, Hiam Abbass, Alia Shawkat, Bill Pullman,
Nadine Malouf, Elie Mitri, Alexander SiddigDISTRIBUTOR: Cohen Media Group
Tuesday, June 03, 2014
Stepping Outside Your Comfort Zone
From Amazon:
In the wake of her husband’s desertion, Lindsey Chandler finds solace in a relationship with a woman who offers an intimacy Lindsey has never known. Before long, however, she finds herself ensnared by the same destructive inter-personal dynamics that plagued her marriage. Unable to blame her dilemma on traditional gender roles, Lindsey is forced to look in the mirror as she seeks to define what she wants from this—or any—relationship. The premise of this debut novel is that opportunities for personal growth are greatest when you step outside your comfort zone. A Fitting Place is an uplifting story of the human potential we all have.
Why do you write what you do, Mary?
You've got to jump off the cliff all the time and build
your wings on the way down.” — Ray Bradbury
Taken literally, Bradbury’s quote sounds preposterously
risky, but it speaks to the potential for intellectual, emotional and spiritual
growth that occurs when you are in “free fall,” when your core beliefs and
values are being challenged.
It is this often-painful but ultimately exhilarating process
that is the central theme of both my memoir and my novel.
In one sense, I have always been a risk-taker. It’s a
behavior pattern borne out of a mélange of natural curiosity, an intense dislike
of repetition and routine, and an almost instinctive tendency to rattle
whatever cage I happen to be in.
More often than not, risk-taking had positive results by
opening a door to educational and career options I might otherwise not have
had. But all too often, those new opportunities left me no more satisfied than
I had been before I made the change. Metaphorically, I was getting off one bus with
uncomfortable seats and hopping onto the next bus that came along in the hope
that it would suit me better.
I never stopped to ask where the bus was going, or whether I
would be better off traveling by train or on foot.
Until I was 40, that is.
That was the year that I got off the bus for the last time.
That was the year my husband and I abandoned our successful careers, as well as
family, friends, or familiar support systems, to sail around the world in
37-foot sailboat. That was the year that I began my escape from a world of
other people’s expectations. For the
first time in my life, I had to decide for myself where I was going and how I
was I going to get there.
My
memoir, Sailing Down the Moonbeam
starts with my decision to trade the bus for sailboat, to step out of my
comfort zone from a professional and cultural perspective. It ends as I begin a
new, more purposeful way of life that has sustained me for a quarter of a
century.
By the time the memoir was completed, however, I realized
that “the story” was larger than “my story,” and that few people can quit their jobs and head off
into the sunset. I wanted to explore the growth that can take place when a
woman stays close to home. In my novel, A
Fitting Place, Lindsey Chandler is hurtled out of her psychological comfort
zone by the betrayal of those she most trusts. Her journey to emotional
maturity begins when she begins to re-examine her entire value system,
including loyalty, marriage and gender roles.
How does your work differ from
others of its genre?
The premise behind both my memoir and my novel is that
opportunities for personal growth are greatest when you step outside your
comfort zone. From a psychological perspective, the term “comfort zone”
encompasses behavior patterns formed during childhood, patterns which may not
be productive or healthy in adult relationships.
By
stepping outside of your comfort zone—whether by choice or by circumstance—you
exponentially increase the possibility of personal and professional
growth.
My
writing is also distinctive because I like to utilize metaphors to emphasize
the universal themes that underlie my stories:
·
Sailing
Down the Moonbeam
(a memoir) – Sailing is a powerful metaphor for everyday life:
·
It
is impossible to control your environment, whether it’s the weather or a
possible job promotion. You enjoy life much more if you recognize the your
control is limited to your own thoughts and actions.
·
Very
few things in life work out the way you planned. Expectations leave you
vulnerable to disappointment, while living in the moment opens the door to
opportunities you didn’t expect.
·
All
too often, you end up in a different place that you intended to go, both in
relationships and in careers. Our focus should be on the journey, not the
destination.
·
A
Fitting Place
(a novel) — The title is a metaphor that
applies on multiple levels:
·
A Fitting Room – A fitting room is a great place to try on a new persona. How would I look in purples? Would I feel
sexy or tart-y in a sequined dress with a plunging neckline? Some unexpected purchases
delighted me for years, but others languished in a closet until I carted them
off to Goodwill.
Lindsey’s love
affair with a woman offers an intimacy she has always ached to have, an
opportunity to try a different way of living and loving. But will that same-sex
relationship stand the test of time, or will it founder just as her previous
relationships with men have foundered?
·
The Biblical Notion of Fitting. The Biblical term “fitting” usually refers to
actions or events that are suited to the circumstances, rather than those that
are “right” in some a priori or moralistic way.
For most of her
life, Lindsey has done the “right” thing, routinely subordinating her needs to
what she assumed was expected of her. Only when Lindsey begins to take
responsibility for her own decisions and actions—to do what fits the situation
rather than what she thinks someone wants—do her stomachaches ease. It is the
beginning of maturity.
·
A Jigsaw Puzzle – We’ve all been frustrated by working on a jigsaw puzzle with
a piece or two missing. Most of us have also had the distressing sense that a
piece of information or a crucial insight is missing from your life.
For Lindsey,
the missing pieces were largely of her own making, a consequence of her
tendency to dole out only the information she thought people “ought” to know.
The pieces of the puzzle began to fall into place as Lindsey discovers that what
her friends and family really wanted from her was quite different than what she
had assumed.
Mary has
made a career out of changing careers.
She spent
nearly thirty years in the financial markets, working with major corporations
in New York, New Zealand, Australia, Central America, Europe, and now Des
Moines, Iowa. Along the way, she dropped out several times, the first time to
embark on the multi-year sailing voyage chronicled in her memoir, Sailing Down the Moonbeam.
In her
latest incarnation as a writer, she has written for The Iowan and contributed to several anthologies. A Fitting Place is her first novel.
Relevant
links
Website: http://marycgottschalk.com
Amazon
A Fitting Place: http://amzn.to/1m57778
Sailing Down the Moonbeam: http://amzn.to/Iy5JTJ
Posted by
sramosobriant
at
1:24 PM
0
comments
A Fitting Place, comfort zone, diversity, Mary Gottschalk, sailing, same sex relationship, sexual fluidity, taking risks
Sunday, May 18, 2014
BULLIED: DIVERSITY, DIFFERENTIATION, DISTINCTION
In Santa
Fe, New Mexico, I attended barrio schools and was bullied for my O’Briant
surname. My classmates refused to believe my mom was Latina. Being a 50/50 was
not easy. Diversity is a term I embrace and not just ethnically. I hate being
stereotyped and having my choices restricted, not only in my life, but in the
lives I create for my characters. I was very pleased when esteemed author Claudia Long invited me to be part of a
blog adventure, initiated on Twitter #weneeddiversebooks and #diverselit, in which we answer the following questions:
Q.
Why do you write what you do?
Most of my characters have been set apart from others
in some way. A bullied child is an isolated child, and reading was my escape.
Not only did it allow me to learn about other cultures, but books led me on a
journey into our human past and even into the future. What I learned is that
there is more that humans have in common with one another than what racially, ethnically or culturally separates
us. The kids who bullied me acted out of ignorance that had been passed down for
generations. I was lonely, but gained strength from my isolation; I learned to
make my own path.
My
first novel, The
Sandoval Sisters’ Secret of Old Blood, won two literary awards. It
tells the story of Anglo encroachment on New Mexico as they made real their
vision of Manifest Destiny.
That’s
the long way of saying that I began my historical research to answer the
burning question that had so cruelly affected my youth: Why did the Latino kids in
Santa Fe hate Anglos, especially Texans?
Answering this question led to an
examination of war, class, education, the role of women, religion and
superstition during the Mexican American War. Santa Fe, NM, an area now known as an artistic and
tourist mecca, was the first foreign capital conquered by the U.S. It had a
profound impact on the people there.
The war is the backdrop for the Sandoval sisters' individual
coming-of-age stories in which they cope with racism, sexism, political
intrigue and the power of superstition. The Sandovals are isolated because of
their wealth and education. The eldest sister, Oratoria, was a Mexican peasant (most
likely of mixed ancestry) adopted into the family. The other two sisters can
trace their heritage back to Spain.
Alma runs off with a Texan and
experiences racism while living with his family. She is also gifted/afflicted
with the “Sandoval memories.” The youngest sister, Pilar, insists on wearing men’s
clothes and working with horses. All of these family attributes set them
apart from the people (la gente) in their community and make them targets when the war wreaks havoc and loss.
Over
20 of my short stories have been published. Some stories don’t have
identifiable Latino characters. Against the
Rules, which tells the fictionalized story of how I met my husband, does
not. Personal
Power does. What both stories have in common are strong voices and
characters who have defied the odds or are about to defy them. Not all of my
stories have erotica in them, but when they do there might be a bit of sexual fluidity, as
with Pilar in The Sandoval Sisters.
Q: What are you
working on?
The sequel to The
Sandoval Sisters follows the next generation of Sandovals. The O’Reilly siblings,
Alexandra and Phil, are orphaned and found wandering on the Santa Fe Trail. The
Sandoval sisters adopt them (this part is family legend; my maternal
grandmother was a Sandoval.)
Alexandra: “Their blood was not our blood, but we
became Sandovals . . . they were set apart, and so were Phil and I. We played
with the other children and eventually flirted with them, but we were not the
same. Our Anglo last name disappeared and we became the Sandoval children on
every legal document of that time, but we were not la gente. We were the
children of the Sandoval witches. The community would not forget the old blood.”
Want more
diversity? I’m editing a vampire novel that I sold once, but the small press
went belly-up before I could deposit the check. Title: Blood Mother.
Q: How does your
work differ from others of its genre?
Short answer:
there are no historical novels dealing with the Mexican American War from a
female perspective (of which I am aware.) This is not a good thing. My agent got favorable responses
from editors at several big publishing houses. They actually read the book and
took the time to dictate letters saying they enjoyed it. The catch? Marketing.
Historical fiction readers like French and English stories about royalty or the
mistresses of royalty. Last on the list are American historical books. The
Civil War and the American Revolution are first in line. There are exceptions,
of course, but Mexicans? Puhleese . . .
Q: How does your
writing process work?
When I’m
actively writing a new piece, the story plays out in the back of my mind like a
movie-while I’m driving, on hold, in my sleep. I see it. My job is to put it
into words so that my reader can see it, too. If I get stuck, it’s not because
I don’t know where to take the action, it’s in finding the best way to describe
it. When this happens I usually change perspective by working out, gardening,
walking the dog or switching to a short story.
The human brain is a marvelous
machine. It knows what you want it to do but for some reason the words may come
out of left field. I’ll be talking to my sons or husband or at lunch with
friends and in the next moment I’m scribbling on the back of an envelope or a
credit card receipt.
My thanks again
to Claudia Long for tagging me for this exercise. She is the author of Josefina’s
Sin (Atria/Simon
& Schuster 2011) and the forthcoming The Duel for Consuelo.
I’ve tagged Mona AlvaradoFrazier to continue the diversity series. She was an Amazon Breakthrough quarterfinalist for her Young Adult novel: Strong Women Grow Here
Posted by
sramosobriant
at
7:47 PM
0
comments
blood mother, bullied, diversity, historical fiction, Latino, Manifest Destiny, Mexican American War, New Mexico, Santa Fe, sexual fluidity, Strong Women Grow Here, The Duel for Consuelo, vampire
Tuesday, October 29, 2013
Field Trip to Evergreen Cemetery
A jewel-bedecked angel with spider egg earrings and a wasp nest brooch.
Unkempt cemeteries are a favorite field trip of mine. They were practically in my backyard in Santa Fe and my cousin and I often played in them. One of them is featured in my story, Halloween Blooms.
Evergreen Cemetery in Boyle Heights was founded in Los Angeles in 1877. It's maintained. . . somewhat. It has personality and a certain L.A. charm, derived primarily from the diversity of its occupants.
Here's one them and he brought a lawn chair and a book with him.
Evergreen was the first cemetery in Los Angeles to allow Blacks to be buried there.
Beulah Cline died in 1936
There are also Japanese, Jews and the occasional Armenian resting at Evergreen, but I shouldn't forget the assortment of carnival folk and the huge monuments for some of the founding families of Los Angeles (Doheny's, Lankershim's and others). All very L.A.
A woman placed these flowers and cleaned the top of this grave.
These birds watched over graves. Anyone know what they are?
Demon Parrots squawked in the palm trees.
I found pure white feathers strewn on the ground. Something preyed on them.
Posted by
sramosobriant
at
12:41 PM
birds, Cat, diversity, Evergreen Cemetery, graffiti, Halloween Blooms
Subscribe to:
Posts (Atom)



