Showing posts with label diversity. Show all posts
Showing posts with label diversity. Show all posts

Tuesday, August 19, 2014

May in the Summer

           
                Sometimes a journey “home” is an encounter with oneself. May in the Summer (release August 22) tells the story of a young, sophisticated woman who lives in New York and whose first novel was a success. She’s engaged and travels home to visit her mother and plan her wedding. While there she must deal with the usual travails of familial discontinuity, a tale that has been told countless times. The difference here is that May’s home is in Amman Jordan. Her mother is a Palestinian who married an American. May and her sisters were raised in the U.S.

                Wait, there’s more. Her mother is a fundamentalist Christian and May’s fiancĂ© is Muslim. Yikes! Amman is not Gaza, but you can see Palestine across the water from a Western style beach resort as you float in the Dead Sea. Oh, and there are not too many women in jogging shorts for the local men to ogle. Only one: May. These dislocations serve as much needed reminders that even though May and her sisters are pop culture savvy and are not just Westernized-they’re as American as apple pie served at a NY deli. All of which adds up to an old story told and set in a new world.

                Diversity is a word I embrace and May in the Summer displays all its nuances in an engrossing and even affectionate manner. The script is good and the acting is outstanding. May encounters more familial secrets which I won’t reveal here. It’s a new twist on an old tale well worth viewing.




DIRECTOR(S): Cherien Dabis SCREENWRITER(S): Cherien Dabis CAST: Cherien Dabis, Hiam Abbass, Alia Shawkat, Bill Pullman, Nadine Malouf, Elie Mitri, Alexander SiddigDISTRIBUTOR: Cohen Media Group 

Tuesday, June 03, 2014

Stepping Outside Your Comfort Zone

Diversity is in the air. It's evident in the sheer magnitude of languages I hear daily, the skin colors I see, and the variety, mix and fusion of ethnic cuisine available in Los Angeles. It didn't just happen overnight. When my friends and I were in college we questioned and challenged everything. It was an era for women asserting themselves in the work place and in the bedroom.

Is a same sex relationship easier, we wondered? There wouldn't be the same power struggles, we thought. Sexual Fluidity wasn't a term in popular use then, and bisexuality was distrusted by both gays and straights. In her debut novel, A Fitting Place, Mary Gottschalk, tells the story of one woman's journey down that path. 




From Amazon: 
In the wake of her husband’s desertion, Lindsey Chandler finds solace in a relationship with a woman who offers an intimacy Lindsey has never known. Before long, however, she finds herself ensnared by the same destructive inter-personal dynamics that plagued her marriage. Unable to blame her dilemma on traditional gender roles, Lindsey is forced to look in the mirror as she seeks to define what she wants from this—or any—relationship. The premise of this debut novel is that opportunities for personal growth are greatest when you step outside your comfort zone. A Fitting Place is an uplifting story of the human potential we all have.


 Why do you write what you do, Mary?

You've got to jump off the cliff all the time and build
your wings on the way down.” — Ray Bradbury

Taken literally, Bradbury’s quote sounds preposterously risky, but it speaks to the potential for intellectual, emotional and spiritual growth that occurs when you are in “free fall,” when your core beliefs and values are being challenged.
It is this often-painful but ultimately exhilarating process that is the central theme of both my memoir and my novel.

In one sense, I have always been a risk-taker. It’s a behavior pattern borne out of a mĂ©lange of natural curiosity, an intense dislike of repetition and routine, and an almost instinctive tendency to rattle whatever cage I happen to be in.

More often than not, risk-taking had positive results by opening a door to educational and career options I might otherwise not have had. But all too often, those new opportunities left me no more satisfied than I had been before I made the change. Metaphorically, I was getting off one bus with uncomfortable seats and hopping onto the next bus that came along in the hope that it would suit me better. 

I never stopped to ask where the bus was going, or whether I would be better off traveling by train or on foot.

Until I was 40, that is.

That was the year that I got off the bus for the last time. That was the year my husband and I abandoned our successful careers, as well as family, friends, or familiar support systems, to sail around the world in 37-foot sailboat. That was the year that I began my escape from a world of other people’s expectations.  For the first time in my life, I had to decide for myself where I was going and how I was I going to get there.

My memoir, Sailing Down the Moonbeam starts with my decision to trade the bus for sailboat, to step out of my comfort zone from a professional and cultural perspective. It ends as I begin a new, more purposeful way of life that has sustained me for a quarter of a century.
By the time the memoir was completed, however, I realized that “the story” was larger than “my story,” and that few people can quit their jobs and head off into the sunset. I wanted to explore the growth that can take place when a woman stays close to home. In my novel, A Fitting Place, Lindsey Chandler is hurtled out of her psychological comfort zone by the betrayal of those she most trusts. Her journey to emotional maturity begins when she begins to re-examine her entire value system, including loyalty, marriage and gender roles.


 How does your work differ from others of its genre?  

The premise behind both my memoir and my novel is that opportunities for personal growth are greatest when you step outside your comfort zone. From a psychological perspective, the term “comfort zone” encompasses behavior patterns formed during childhood, patterns which may not be productive or healthy in adult relationships.

By stepping outside of your comfort zone—whether by choice or by circumstance—you exponentially increase the possibility of personal and professional growth.    

My writing is also distinctive because I like to utilize metaphors to emphasize the universal themes that underlie my stories:

·       Sailing Down the Moonbeam (a memoir) – Sailing is a powerful metaphor for everyday life:
·       It is impossible to control your environment, whether it’s the weather or a possible job promotion. You enjoy life much more if you recognize the your control is limited to your own thoughts and actions.
·       Very few things in life work out the way you planned. Expectations leave you vulnerable to disappointment, while living in the moment opens the door to opportunities you didn’t expect.
·       All too often, you end up in a different place that you intended to go, both in relationships and in careers. Our focus should be on the journey, not the destination.
·       A Fitting Place (a novel) — The title is a metaphor that applies on multiple levels:
·       A Fitting Room – A fitting room is a great place to try on a new persona.  How would I look in purples? Would I feel sexy or tart-y in a sequined dress with a plunging neckline? Some unexpected purchases delighted me for years, but others languished in a closet until I carted them off to Goodwill.
Lindsey’s love affair with a woman offers an intimacy she has always ached to have, an opportunity to try a different way of living and loving. But will that same-sex relationship stand the test of time, or will it founder just as her previous relationships with men have foundered?
·       The Biblical Notion of Fitting. The Biblical term “fitting” usually refers to actions or events that are suited to the circumstances, rather than those that are “right” in some a priori or moralistic way.
For most of her life, Lindsey has done the “right” thing, routinely subordinating her needs to what she assumed was expected of her. Only when Lindsey begins to take responsibility for her own decisions and actions—to do what fits the situation rather than what she thinks someone wants—do her stomachaches ease. It is the beginning of maturity.
·       A Jigsaw Puzzle – We’ve all been frustrated by working on a jigsaw puzzle with a piece or two missing. Most of us have also had the distressing sense that a piece of information or a crucial insight is missing from your life.
For Lindsey, the missing pieces were largely of her own making, a consequence of her tendency to dole out only the information she thought people “ought” to know. The pieces of the puzzle began to fall into place as Lindsey discovers that what her friends and family really wanted from her was quite different than what she had assumed.



Mary has made a career out of changing careers.
She spent nearly thirty years in the financial markets, working with major corporations in New York, New Zealand, Australia, Central America, Europe, and now Des Moines, Iowa. Along the way, she dropped out several times, the first time to embark on the multi-year sailing voyage chronicled in her memoir, Sailing Down the Moonbeam.

In her latest incarnation as a writer, she has written for The Iowan and contributed to several anthologies. A Fitting Place is her first novel.

Relevant links


Amazon
A Fitting Place: http://amzn.to/1m57778

Sailing Down the Moonbeam:  http://amzn.to/Iy5JTJ

Sunday, May 18, 2014

BULLIED: DIVERSITY, DIFFERENTIATION, DISTINCTION

In Santa Fe, New Mexico, I attended barrio schools and was bullied for my O’Briant surname. My classmates refused to believe my mom was Latina. Being a 50/50 was not easy. Diversity is a term I embrace and not just ethnically. I hate being stereotyped and having my choices restricted, not only in my life, but in the lives I create for my characters. I was very pleased when esteemed author Claudia Long invited me to be part of a blog adventure, initiated on Twitter #weneeddiversebooks and #diverselit, in which we answer the following questions:

Q. Why do you write what you do?

Most of my characters have been set apart from others in some way. A bullied child is an isolated child, and reading was my escape. Not only did it allow me to learn about other cultures, but books led me on a journey into our human past and even into the future. What I learned is that there is more that humans have in common with one another than what racially, ethnically or culturally separates us. The kids who bullied me acted out of ignorance that had been passed down for generations. I was lonely, but gained strength from my isolation; I learned to make my own path.

My first novel, The Sandoval Sisters’ Secret of Old Blood, won two literary awards. It tells the story of Anglo encroachment on New Mexico as they made real their vision of Manifest Destiny.


That’s the long way of saying that I began my historical research to answer the burning question that had so cruelly affected my youth: Why did the Latino kids in Santa Fe hate Anglos, especially Texans? 

Answering this question led to an examination of war, class, education, the role of women, religion and superstition during the Mexican American War. Santa Fe, NM, an area now known as an artistic and tourist mecca, was the first foreign capital conquered by the U.S. It had a profound impact on the people there.

The war is the backdrop for the Sandoval sisters' individual coming-of-age stories in which they cope with racism, sexism, political intrigue and the power of superstition. The Sandovals are isolated because of their wealth and education. The eldest sister, Oratoria, was a Mexican peasant (most likely of mixed ancestry) adopted into the family. The other two sisters can trace their heritage back to Spain. 

Alma runs off with a Texan and experiences racism while living with his family. She is also gifted/afflicted with the “Sandoval memories.” The youngest sister, Pilar, insists on wearing men’s clothes and working with horses. All of these family attributes set them apart from the people (la gente) in their community and make them targets when the war wreaks havoc and loss.

Over 20 of my short stories have been published. Some stories don’t have identifiable Latino characters. Against the Rules, which tells the fictionalized story of how I met my husband, does not. Personal Power does. What both stories have in common are strong voices and characters who have defied the odds or are about to defy them. Not all of my stories have erotica in them, but when they do there might be a bit of sexual fluidity, as with Pilar in The Sandoval Sisters.

Q: What are you working on?

The sequel to The Sandoval Sisters follows the next generation of Sandovals. The O’Reilly siblings, Alexandra and Phil, are orphaned and found wandering on the Santa Fe Trail. The Sandoval sisters adopt them (this part is family legend; my maternal grandmother was a Sandoval.)

Alexandra: “Their blood was not our blood, but we became Sandovals . . . they were set apart, and so were Phil and I. We played with the other children and eventually flirted with them, but we were not the same. Our Anglo last name disappeared and we became the Sandoval children on every legal document of that time, but we were not la gente. We were the children of the Sandoval witches. The community would not forget the old blood.”

Want more diversity? I’m editing a vampire novel that I sold once, but the small press went belly-up before I could deposit the check. Title:  Blood Mother.

Q: How does your work differ from others of its genre?

Short answer: there are no historical novels dealing with the Mexican American War from a female perspective (of which I am aware.) This is not a good thing. My agent got favorable responses from editors at several big publishing houses. They actually read the book and took the time to dictate letters saying they enjoyed it. The catch? Marketing. Historical fiction readers like French and English stories about royalty or the mistresses of royalty. Last on the list are American historical books. The Civil War and the American Revolution are first in line. There are exceptions, of course, but Mexicans? Puhleese . . .

Q: How does your writing process work?

When I’m actively writing a new piece, the story plays out in the back of my mind like a movie-while I’m driving, on hold, in my sleep. I see it. My job is to put it into words so that my reader can see it, too. If I get stuck, it’s not because I don’t know where to take the action, it’s in finding the best way to describe it. When this happens I usually change perspective by working out, gardening, walking the dog or switching to a short story. 

The human brain is a marvelous machine. It knows what you want it to do but for some reason the words may come out of left field. I’ll be talking to my sons or husband or at lunch with friends and in the next moment I’m scribbling on the back of an envelope or a credit card receipt.

My thanks again to Claudia Long for tagging me for this exercise. She is the author of Josefina’s Sin (Atria/Simon & Schuster 2011) and the forthcoming The Duel for Consuelo.


I’ve tagged Mona AlvaradoFrazier to continue the diversity series. She was an Amazon Breakthrough quarterfinalist for her Young Adult novel: Strong Women Grow Here



Tuesday, October 29, 2013

Field Trip to Evergreen Cemetery


A jewel-bedecked angel with spider egg earrings and a wasp nest brooch.


Unkempt cemeteries are a favorite field trip of mine. They were practically in my backyard in Santa Fe and my cousin and I often played in them. One of them is featured in my story, Halloween Blooms.

Evergreen Cemetery in Boyle Heights was founded in Los Angeles in 1877.  It's maintained. . . somewhat.  It has personality and a certain L.A. charm, derived primarily from the diversity of its occupants.

Here's one them and he brought a lawn chair and a book with him.


Evergreen was the first cemetery in Los Angeles to allow Blacks to be buried there. 
Beulah Cline died in 1936 



There are also Japanese, Jews and the occasional Armenian resting at Evergreen, but I shouldn't forget the assortment of carnival folk and the huge monuments for some of the founding families of Los Angeles (Doheny's, Lankershim's and others). All very L.A. 


  A woman placed these flowers and cleaned the top of this grave.

 
 These birds watched over graves.  Anyone know what they are?
Demon Parrots squawked in the palm trees. 
I found pure white feathers strewn on the ground. Something preyed on them.

 Catsy graffiti artist was arrested in 2010 for adorning L.A. freeways and buildings with felines. This is one of his works in the Evergreen Cemetery.