Marshall
Who do you call to the defense of a black chauffeur accused of raping a wealthy white woman in conservative Connecticut? The NAACP
promptly sends out Thurgood Marshall.
Yes, the Thurgood Marshall, an ambitious and dedicated young attorney,
not yet the first African-American Supreme Court Justice. He’s played by Chadwick
Boseman (Jackie Robinson in “42”). Boseman’s acting is good and will certainly
earn him an academy award nomination. He manages to present the young Marshall
as smart, ambitious, and even a bit cocky. Let’s not forget the swagger,
either, which provided some heart and humor to this famous lawyer.
The movie is a tense
courtroom drama (Connecticut v. Joseph Spell) rather than a cradle to grave
biopic. This is not the future man in robes but a real person who smoked and
drank, loved and lost.
Remember, this was 1940.
Marshall had more than a decade of experience to earn before Brown v. Board of
Education, a landmark United States Supreme Court case
in which the Court declared state laws establishing separate public schools for black and
white students to be unconstitutional.
There are several twists
in the story. First, in order to try the case in a state where he’s not
admitted to practice law, the NAACP hires Sam Friedman (Josh Gad) an insurance
attorney who has never litigated a criminal case. He doesn’t even want the case
fearing that defending a black man might ruin his legal career. Marshall and
Friedman face not only prejudice based on color, but Jews are not exactly
allowed in the country clubs, either. The two, Boseman and Gad, make a fine
combination – sparring and challenging each other, but there’s also respect. I
wouldn’t be surprised if Gad is nominated for Best Supporting Actor.
To further complicate
matters the judge (James Cromwell) orders Marshall not to speak in the
courtroom while allowing him to sit at the defense table. That means Marshall
must be the coach, the “court whisperer.” It’s hard for both attorneys, but
they’re relentless.
What’s Twist #2? While
we’re hoping things will go Marshall’s way, new evidence is introduced. Spoiler
Alert! Just kidding, I’m not telling.
A final note, the music is
outstanding. Never intrusive and even inspiring. As is this story.
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